Cinematic Greats: Bound

Bound - poster

Terrifically fun, highly stylized modern film noir with lots of dark humor — in 2008, I wrote:

Bound, 1996, with Jennifer Tilly and Gina Gershon, is a delightful mob movie with a twist – the mobster, played uniquely with humor by Joe Pantoliano, becomes the target of a plot against him by his wife (Tilly) and Gershon.  I saw this in the theater when it came out.  It is the only movie I can think of where after about 10 minutes into the film, I was literally on the edge of my seat for the duration of the picture.

Bound - text blockRoger Ebert awarded his highest rating:

“Bound” is one of those movies that works you up, wrings you out and leaves you gasping. It’s pure cinema, spread over several genres. It’s a caper movie, a gangster movie, a sex movie and a slapstick comedy. It’s not often you think of “The Last Seduction” and the Marx Brothers during the same film, but I did during this one–and I also thought about “Blood Simple” and Woody Allen. It’s amazing to discover all this virtuosity and confidence in two first-time filmmakers, Larry and Andy Wachowski, self-described college dropouts, still in their 20s, from Chicago.

So in other words, for a dose of the Wachowskis, you’re better off watching Bound — even a second or third time — than opting for their most recent offering, Jupiter Ascending.  It’s funny that Bound ended up a somewhat forgotten film, while their Matrix enterprise became completely ubiquitous, a staple of cinema.

BONUS!  Bound’s available on Netflix.

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