A note on the BLOG. I have not lost interest in the blog, but I’ve slowed down a lot in the first couple months of 2016 because there has been absolutely nothing in the theaters that interests me. You’d think the Coen brothers’ Hail, Caesar!, which was well received by critics, would be hot on my list to go see. It just isn’t. I have no interest in it at all. I’m not a big George Clooney fan (though I have nothing against him), and it seems like Clooney + Coen brothers = ‘bad movie.’
Deadpool, too, has been well received, but I just don’t want to see a lot of up-close crotch shots. Got my dose of that in the previews. Beyond those two there’s been little to motivate a trip to the cinema. But this is the time of year typically blessed with some good indies, and The Witch [prior post] is at the top of that list. So I’ve been watching more at home, namely a few movies and more Breaking Bad and Better Call Saul — a summary post will be coming on that subject. First, to get it out of the way:
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Blue Caprice, on an absolute scale, is not a terrible movie. But when you depict actual events, especially ones as well publicized as these, you’re held to another standard. Not a standard that’s any more difficult to meet, mind you, just a standard that states that the actual events must be respected. And boy is Blue Caprice full of disrespect. It seems to deliberately ignore the most salient facts of the case.
Their crime spree began in February 2002 with murders and robberies in the states of Alabama, Arizona, Florida, Georgia, Louisiana, Texas, and Washington, which resulted in seven deaths and seven injuries, bringing the ten month shooting spree total to 17 deaths and 10 injuries
You might expect a filmed dramatization of these events to maybe tell that story — but with Blue Caprice, not so much. From the movie you’d never know they were in any of those places other than Washington state. A couple of the attacks are arbitrarily shown while most are not, even while other facts are misreported. If the film had depicted the full rampage of devastation wrought by these two we’d have one helluva movie.
The Beltway sniper attacks were a crime spree up there with Bonnie & Clyde. This is not quiet meditation. There can be quiet, meditative moments, but this is a tale of extreme, grisly, loud violence. I appreciate that the film was focusing on the ‘father & son’ relationship. But the explosive, fatal events that happened should not be treated as a mere tangent to your story.
This filmmaker decided to ignore the core story at hand in the name of showing off his artsy-fartsy filmmaking virtuosity. What a wasted opportunity. 3/10