Following: Caught some of it via VOD. Don’t remember it well enough, but it started sucking quickly enough that I did not finish.
Memento: A stupid, implausible film.
Insomnia: An utter waste of the talents of Al Pacino and Robin Williams, and a tremendous missed opportunity given the powerful latent elements. Look at The Machinist for an example of how to use insomnia effectively.
Batman trilogy: Not great; I’ll take Tim Burton over Christopher Nolan any day of the week.
Inception: I saw this before writing my blog, so I don’t remember why I didn’t like it. But I do remember it wasn’t good.
Interstellar: OK; maybe his best film other than Batman Begins. But Nolan’s best only reaches a marginal thumbs-up.
And Dunkirk. I liked the opening sequences, about the first 20-30 minutes, very much. Nolan very effectively demonstrates the utter futility of the situation. For that I give him credit. But then he enters into Balkanized, choppy storytelling that has no flow. The only thing more futile than the armies’ dire circumstance is the hope that Nolan can convey the powerful story at hand in a way it deserves.
Ultimately, add Dunkirk to the long list of films that show what a hack filmmaker Christopher Nolan is. This is a great story that I wish Steven Spielberg had made. 5/10
Comparison Notes: Captain Phillips — for how dramatic, edge-of-your-seat true naval adventures should be told.
UPDATE: I just read about the Dunkirk evacuation on Wikipedia. It was a dire situation, and many lives were lost — but not near so many as Nolan would have you believe: most of the British troops were saved. Watching Dunkirk, you’d think that only a slim percentage of the army survived. This looseness with the facts is about enough to drop my rating down another peg. What a hack.