Lady Macbeth Doth Protest Too Little

Lady Macbeth started and ran strongly for about the first two-thirds, before running into territory that was a bit mishandled, and less than optimal even if handled perfectly.  Still though, very good and fully engrossing — and the biggest reason is the film’s star.  Adam Graham, The Detroit News:

With quiet menace, [Florence] Pugh chews through director William Oldroyd’s handsomely composed period thriller like a rat gnawing through a wall.  She’s a force to be reckoned with, and her nightmare stare lingers longer than any poor sap who dares to get in her way.

Cath Clarke, Time Out London:

This brilliantly feminist British indie film plunges a cold, sharp knife into the back of bonnet dramas.

Indeed.  A lot of (evil) fun to be had here.  Maybe think of as a companion piece to The Little Hours, which is sticking with me enough that I’m considering bumping it up a notch.  Every time I think of it I smile inside.  As for Lady Macbeth: 8/10

Comparison Notes (all recommended): Les Amants Criminels, Lars von Trier films, especially Breaking the Waves; Elizabeth (Cate Blanchett), The Last Seduction, The Housemaid, Marie Antoinette.

Advertisements

Leave a Comment

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s