Will we be among The Beguiled?

Lots of pros in The Beguiled.  I dug the lush homestead and the tight story.

Cons: Colin Farrell is a fine actor, and did a fine job here.  But there could be a more enigmatic, a more beguiling, if you will, character there.  His character was easy to read early on, which made the direction of the plot, i.e. its gradient, too easily discernible at any moment.

I look forward to Sofia Coppola’s films.  She may not always knock it out of the park, but she has an idea what she’s doing, and her films have a unique feel to them — if this one less than others.

* * *

A small movie like this must open up more dimensions, unless the one it chooses forges an exceptionally strong vector.  Still, compelling and entertaining.  7/10

Comparison Notes: the considerably more potent films Dead Calm and Misery

Film Brief: 20th Century Women

There’s a form of contrivance in film which may be termed amalgamation.  The idea that a perfectly good movie can be made by an assembly process, putting a bunch of different elements together in a box.  It’s not a good thing.  Much better is to let your film develop organically.

Nonetheless, I liked the performances and bit of fun in 20th Century Women, so a marginal thumbs-up; 6/10, and one step behind The Accountant on the 2016 List.

Comparison Notes (recommended): The Diary of a Teenage Girl